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Landsknecht Arquebusiers

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Something of a long overdue addition to my ranks here we have some Almain, Landsknecht or Lansquenet arquebusiers depending upon which of my army generals pays the most.

These are a mix of Wargames Foundry and Pro Gloria Miniatures which mix quite well and I find the different sculpting seems to emphasise the variety in Landsknecht dress. The PG figures to my eye seem to represent Landsknechts of the 1520's whereas the foundry Perry's look a little earlier. I found them different to paint too, the PG for example are quite characterised as is typical of Paul Hicks' work and have very defined and broad slashing which makes for ease with stripes whereas the Perry's are a bit more fiddly as they're laden with kit - not a bad thing but something to give careful attention for a good result. I think they could integrate quite well so I may try a mixed unit in future as I have found the pike figures work well together.

I have based these in a fairly loose skirmish formation mainly so that each figure can be fully appreciated but from a gaming perspective and for some variety I intend to add to them with some much more closely packed arquebusier companies taking some inspiration from the Pavia tapestry;



this unit had an interesting development; I began with the Perry figures in something of an interpretation of the painted woodcuts of Erhard Schoene, you can read about this in depth over on my other blog here.

Whilst doing this I was approached by Stephan of Pro Gloria who asked me to paint a few figures and write an article for him about my approach to painting Landsknechts, so I added some Pro Gloria figures to this slowly expanding unit.



The arquebusiers I chose from the PG range below illustrate from left to right, simple through to complex, slowly increasing the palette and variety.


The article is still a work in progress and will feature a selection of their range - more on this soon.

Here's some more close ups, you can never have too many when it comes to Landsknechts;


These two figures (above) take inspiration from Schoene's work, particularly in the brim of the hat and the depiction of rich damaskened cloth on some doppelsoldners - a long process for an arm but worth it I hope.




I also used this as an opportunity to do a first (i think) Tudor / Valois skirmish mock up, the light isn't brilliant but may I present a scurrers eye view;


Bye for now

Stuart

Landsknecht Vignettes

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Continuining on a Landsknecht theme, here we have a couple of vignettes; first up a Provost on the heels of a deserter - these figures are actually from the Pro Gloria Miniatures hunters pack but as soon as I had these in my hands I immediately saw them as hunting down a deserter or thief.

The provost wears a good quality waffenrock and is lead by an Alsatian who has caught the scent of his quarry as has the scout who calmly loads a bolt.

I really liked painting these, particularly the contrast in the clothing of the scout and Provost, and of course the dog - the first canine to join my armies.



Next we have some gamblers, it's not looking too good for the drummer as his confident opponent prepares to cast his dice.

Again, lots of fun painting these, the slashings are very defined which makes for easy painting so you can just get on with working out what palette you want to use.

Both of these vignettes will feature in my next article for Pro Gloria Miniatures of which you can see the first here; http://progloria.wordpress.com/2014/05/03/how-to-paint-landsknechts-part-one/

Cheerio

Stuart

Stradiotti

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This unit has been a while in the making with the recent Landsknecht distractions but here we have a band of Stradiot light horse in French service.

I last visited this unit some time ago and had completed the four horsemen on either side of the base with the standard bearer, you can read more detail about their creation here.

To complete the unit I recently completed a standard bearer and another Stradiot;

First up, a Stradiot with crossbow;


As with the rest of the unit I was eager to try and use a primary source image as a reference point, the following contemporary wall painting was perfect inspiration for the colour scheme and pattern of the coat;


I liked the mute, rather drab colour scheme and patterning and exaggerated the width of the different horizontal stripes which worked really well on the sleeves, I had to guess what the rest of the coat would be like but I'm happy with the result and will probably experiment further with a different palette when I re-visit these troops (I intend to have a lot of them).
 

The standard bearer was fairly simpler in comparison, his shield is decorated with a sun device - not heraldic as such but more decorative - hand painted, second draft (the first one was a bit cross eyed).

As for the banner, I delayed over this for quite a while as this unit represent the Stradiots which were part of the Therouanne garrison - well, I've assumed that; Tudor sources mention several 'feats of arms and broken lances' were made with Stradiots during the siege but not in sufficient detail to work out whether there were some in the garrison or if these were part of the main body of 800 commanded by the Seigneur de Fontrailles in the relief army of Lord Piennes. I'd welcome any more information on this point from any French sources.

As I intend to represent Fontrailles in another unit I simply opted for a simple cross of St. Denis for these.



When it came to basing the unit I took the lead from James Roach aka Olicanalad who had the notion of basing light cavalry as a swarm to more closely represent their tactics and appearance in action.

I have to second that notion, there's definitely a wild thundering feel to a few bases of these together. I will probably do the same with my Tudor border horse - plus it makes for easier movement, packing and display.

Bye for now

Stuart







French Herald Vignette

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Next in my featurette series of vignettes we have a French herald flanked by a standard bearer and Landsknecht with Zweihander.

All figures are Pro Gloria Miniatures. In this composition I wanted to try and show that their ranges don't necessarily have to have an Imperial focus and are quite versatile for use in other European armies, I thought they'd make a great addition to my burgeoning French army.

I'm quite pleased with this one, it has something of a narrative to it; whether addressing a garrison prior to a siege, announcing new taxes or stating terms of engagement as here;


I have painted the Herald in the red and yellow livery of Louis XII's guard units (beneath the tabard), I'm not sure if this was the case as despite my best efforts I have not been able to find an image of a herald contemporary to this reign so I've taken a guess that perhaps they wore the same livery.



Behind him carrying the French Royal banner is a Landsknecht in French Service who has affirmed his loyalties with a painted white cross of St. Denis on his breastplate and red and yellow plumes in his hat. His katzbalger sheath also has white cross motif's on a red ground, possibly indicating Swiss origins.

I was keen to offer contrast to the red and yellow so I opted for a rich two tone garb of blue and white hose and breeches.

In contrast to both figures, the hired protection of the group, is a mean Landsknecht Doppelsoldner resting on his Zweihander. I have painted him in rich but slightly muted colours to indicate him as being part of the Black Band who were hired by the French under the command of English rebel the Duke of Suffolk during the 1513 campaign (and for a number of occasions thereafter).

I know that the Black band were merely that in name rather than an indication of a muted appearance but i think the palette works in this instance.

He wears a tough leather doublet over a rich red and black damask jacket with the black and red slashed sleeves of the doublet underneath showing through, the black doublet further 'slashed' with inlaid cloth of silver - this man is good at his job and has the wares to prove it - i love this figure, it has so much character.


I'm very pleased with this, to a painter and some time gamer these vignettes really appeal - it's not helping swell the ranks of my army and it wont gain any advantage on the table but these things add some character and focus.



Bye for now

Stuart





Early Tudor Armour

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In a few weeks I will be able to get my hands on the latest Perry Miniatures boxed set of Foot Knights which I believe are perfectly suitable for my 1513 era of interest and in some cases perhaps beyond, in this post I shall offer my summary case.


There is no doubt that Henry and his richest nobles would have worn the latest armour of the period in the fashionable Maximilian style as featured above. Henry personally took a number of garnitures, ranging from that above to Flemish influenced Greenwich armour as well as lighter pieces; he is mentioned arriving at Calais wearing a decorated suit of Almain Rivet; these were flexible off the peg pieces favoured by his Landsknecht (Almain) mercenaries. Henry spared no expense in commissioning thousands for the English army for this campaign at 16s a set.



The arrays of his nobles indentured retinues would have presented a much varied image as dictated by their wealth.

One must return to original sources to get a better understanding of the early Tudor Knight. This was a period of relative peace and very little European campaigning thus the English harness remained in a slow transition from high Medieval to early Renaissance as European influence, incliation and budget to follow the latest fashions slowly began to be felt. The Greenwich armoury was in its infancy and at this time was reserved almost exclusively for the king so most nobles would have worn late 15c harness, here are some contemporary examples;



Sir Ralph Verney d.1547

Sir William Mathew d.1528

 Sir John le Strange d.1509

Sir George Speke d.1528 


Sir Humfrey Stafford d.1546

These armours appear late 15c at first glance with earlier features such as tassets and fauld prevalent, however the sabatons are generally moving to the 'bear paw' style typical with the Maximilian and other early renaissance styles. One must also remember that English knights at this time expected to fight on foot which will influence certain aspects; armour appears more symmetrical as the left shoulder does not require extra defense. Also note the remaining adoption of the heraldic tabard, something not typical of the English;

Louis d'Halluin, Lord de Piennes
(Commander of the main French relief army at the Battle of the Spurs)

So, a brief but I hope reasoned argument for more than a smattering of earlier armours in my Tudor ranks. I only intend to have a few bases of foot knights for flexibility, choice, and pure painting fun !

I hope you've had a good summer - my painting desk has languished somewhat as I've watched my daughter grow and enjoy the outdoors with perhaps a large bit of painters block thrown in, I'm often finding that I want to paint when it's not possible and vice versa, some discipline is required methinks.

On that subject keep an eye on my other blog for a nice little Landsknecht update.

Cheerio for now

Stuart


The Anglo French war of 1514 & the destruction of Brighton

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spoiling for a fight

The Anglo French war did not cease after Henry's 1513 campaign; Tournai became an English territory, Therouanne was razed, the 'Army Royal' withdrew from Picardy late in the 1513 campaigning season but hostilities were still ongoing, namely in the form of surprise raids and counter-raids along the French & English coastlines.

Here's an example from June 1514 which recounts the destruction of Brighton (Brighthelmstone), it makes for interesting reading and would make an excellent skirmish game;


Did Henry let it lie? the Earl of Surrey, writing on 14 June 1514 from the Mary Rose recounts the English response;

I have been delayed, by contrary winds and lack of victuals, in fulfilling the King's command to land and burn in France; but yesterday I landed in Normandy, three miles W. from Cherbourg Castle, and have burnt all the country four miles west of where I landed, and three miles eastward to the walls of Cherbourg, and two miles inland, "which is as goodly a cou[ntry], and as well builded for small towns and villages, as I have seen in any country." Left no house unburnt that might be looked on, except Cherbourg. The town and castle are very strong. When I landed, I caused Walope, Gonstone, Sa[byne], and about 700 men to land thirty miles west of me. They have not yet returned, but they made such smoke in the country, that for some time we lost sight of land; "and thus I trust your grace be not in the French m[en's deb]t for burning of late of Brighthelmstone." (fn. 3) I send my servant Edward [Bray], who was one of those that had the order of the burning, for your information. I beg you to write letters of thanks to the gentlemen for their toward minds.


Landed yesterday in Normandy three miles west of Cherbourg, and burned [four] miles west, three miles east, and more than [two] inland as far as any house might be seen for great woods, leaving nothing unburnt but abbeys and churches. Burned many gentlemen's country houses, "well builded and stuffed with hangings and be ... of silk, of which neither they nor our men have little pr[ofit], for all or the more part was burnt." Re-embarked without the loss of a man. The night before I landed, to requite the burning of Preer John, I sent Walope, Gonstone, Sabyan, and 700 men to land thirty miles west of me. They have not yet returned, and were so far on our lee that they cannot be here till night, but they burnt the country so sore that we lost sight of the high hills of the Hag. Thinks the King should write a letter of thanks to the Vice-admiral and captains. Never saw men of better will to serve. Sends his servant Edw. Bray for their further information. Thinks Dover and Hastings should be warned to fortify themselves; for if Preer John intend any new business, he will meddle with one of those places, and could [burn] either without danger. When the wind is favorable, I shall send six more ships to those parts to encounter him. In the Mary Rose, before Portland. 14 June.


I must get some more French painted to get some skirmishes underway !

Bye for now

Stuart

Scurrers Revisited

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As soon as I had completed the Stradiotti I was rather keen to re-base the existing Border Horse in a similar fashion and after something of a summer hiatus I considered this a nice 'no pressure' task to ease me back on to the painting desk.

So here we have some new and I hope improved scurrers to return to the ranks of my Tudor army. These were all originally based individually which had its advantages of more dynamic photography and posing but during a game the wire spears often got damaged so there were some issues.

Furthermore, as I found with the Stradiotti a larger base really helps to display the figures better and give a sense of movement and cohesion. Perhaps most importantly, when arranged as a unit this basing goes some way to represent the unit in a loose open order as light cavalry operated. At this juncture I must give credit to this notion as I did with the Stradiots to James Roach whose efforts in the same really enhanced his Italian Wars armies, you can view these here


I used the re-basing operation as a chance to experiment with the figures for the best composition and I also painted a new addition to add to the fray; a captain of the Percy household;



Henry Algernon Percy provided most of the border horse for the 1513 invasion of France (though it is doubtful he commanded them), this captain wears a Percy crest on the shoulder of his issued livery coat, with him he brings his hunting hounds, no doubt a natural addition to a scurrer's armoury.

These were acquired from Simon Chick who recently commissioned their sculpts and what fine sculpts they are, effortless to paint and a lot of movement - just like the scurrers.

Finally, this mock up replicates one of the favoured scurrer tactics as recorded by Sir Thomas Audley;



Where possible Scurrers were used, or rather Audley suggests the tactical notion of using Border Horse to entice enemy cavalry by feigned retreat or otherwise into waiting formations of bows and shot. I seem to remember this being adopted by Samurai armies in the film 'Ran' so I guess the tactic is no doubt ancient and culturally universal.

Either way, it makes for an interesting photograph.

Stuart 


Wargame; Tudor Rebellion

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Over the weekend myself and Simon Chick (http://je-lay-emprins.blogspot.co.uk/) were hosted by Michael & Alan Perry and Dave Andrews for a Tudor Rebellion wargame.

The premise was a semi fictional notion based upon the Lambert Simnel / Perkin Warbeck rebellions of Henry VII's reign. Myself & Dave were the royalist coalition using my collection and Simon and Alan were the rebels with Burgundian support using the Perry's and Simon's collections, fairly large hosts on both sides.

For me this was a rather momentous occasion; to my memory I haven't gamed in around 14 years and my collection has never been used so it was really quite something to see this occur and to see those present enjoying the game, It was a pleasure and a privilege.

On to the game, The rules used were Hail Caesar with some small adaptions, Michael umpired and along with Dave and Alan guided myself and Simon through the setup. I found these to be relatively fast play with an excellent facility for the fog of war.

To begin, royalist scurrers entered the arena to seek out and engage their rebel counterparts.

Over the next few turns the royalists were relatively slow to emerge with the rebels taking the initiative and forming up early in their respective divisions, this was turn 3 I think;


Royalist bow and bill on the left with some yeomen of the guard stiffening, the royalist centre with three cavalry divisions, Henry on the hill with Kings Spears entourage and artillery battery, to the right were mercenary pike and demilancers.

Opposite from left to right were the pretender and a wing of bow and bill with scurrer screen, pike, artillery and shot in the centre with heavy cavalry in front and a further bow and bill wing on the far right. The game soon split to a bow and bill exchange on the left and more renaissance feel to the right. 

After some squaring up, the rebel horse formed intimidatingly close to their royalist counterparts, exchanges of long range fire followed and the royalists charged, here's the rebel perspective;


This soon began to look ugly for the royalists who broke and hurriedly moved their mercenary pike into position to plug the gap between Henry and the rebel cavalry. Insult was added to injury as my unlucky dice meant the royalist guns were very slow on the initiative, I quickly passed important dice rolling to Dave thereafter!

Demilancers moved to cover the right wing but things were looking shaky, much to the glee of the rebels;


Over on the royalist left flank, things were quietly developing behind a screen of scurrer activity;


Bowfire was exchanged as each respective division moved to engage the other, at this stage the scurrers had exhausted themselves, taking casualties requiring a morale boost from their commander who was engaged under a 'cloud of doubt' in a surviving regrouping element of horse defeated in the opening cavalry exchange.

Bolstered by the yeomen of the guard the royalists moved closer;


The Landsknechts now holding the royalist centre began to slowly move to their Burgundian counterparts with withering crossbow and arquebus fire soon assisted by enfilading artillery, things were crumbling and a division of bow and bill were moving rather close so the Demilancers were thrown in to try to stem the flow of the rebel advance, bounding over hedges into their flank, with scurrers joining in for good measure;


Events in the centre and right were beginning to look decisive and somewhat distracting whereupon the yeomen got very close to the pretender;


At this point the demilancers prevailed, somewhat phyrically but the rebel left broke, closely followed by the pretenders grisly end on a yeoman's halberd.

The game was very close, I enjoyed myself thoroughly and took my place among the yeomen;


In my post game deliberations I mused over my 14 year period in the non gaming wilderness and the last 7 years of building this army with only a blog to keep me going.

As a painter I may not be alone in this though I have always been at pains to have a proportioned and accurately represented army which I could only do using doctored army listings so there was always a gaming pretence. I suppose I in some way felt that as my interest was relatively niche there would be no-one to game with so I never really got myself out there as a gamer, being happy to paint the blog soon filled this gap and i've soon found a learned, interested and encouraging audience, equally concerned with the fine detail of costume and arms of the period, some of whom I eventually gamed with !

Stuart


The Walls of Therouanne, part I

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Back in September I collected a rather special commission from David at TM terrain, I have since been working on the defenders and getting reasonably close to finishing them so the time is ripe to do a series of episodes to fully show off this commission.

So, for the uninitiated this blog and all of my painting efforts over the past five years have centred around Henry VIII's 1513 invasion of France. As time has passed I have specifically centred my focus around the siege of Therouanne, mainly as it featured the most skirmishing and was the backdrop to the Battle of the Spurs.

I decided it would be good to represent the walls somehow in my photographic arrangements and initially settled upon creating a painted backdrop - something which I may still do. This, however wouldn't really allow for the positioning of defenders and so on so I set about researching Therouanne's walls as unfortunately they're not there anymore; Henry, Maximilian and later Charles V have sadly made sure of that.

Therouanne was a sizable town in 1513 so I realised I would have to tackle it in sections, but what did it look like? I suppose we have the fact that it has been besieged a number of times as a bonus as it has led to a relative wealth of artistic representations; my focus soon settled upon a particular area of the wall;



The two highlighted sections above caught my interest initially as this was the side of the town which saw the first actions of the Battle of the Spurs and also took and delivered some considerable punishment during the siege.

In addition I was inspired by the evolution of fortification apparent in the structure; rounded artillery towers intermingle with earlier octagonal towers and a later domestic building with a renaissance crow-step roof can also be seen as part of the wall in both images (1537 and 1553).


This drawing of 1537 also shows these three aspects 



Also, in the background of this painting of the Battle of the Spurs (c.1513 or a little later) the same features can be seen. My mind was made up for my first foray into architectural display.

TM terrain was a no brainer; I had long admired David's work and from the outset he was most enthusiastic with the venture, he also kindly gave me work in progress updates as the commission developed;




I tried to give David as much information as possible, the contemporary images were merely a start as height, materials and use had to be considered. The height was roughly worked out from the paintings; these seemed to be structures of a late medieval / early renaissance mind so relatively squat but not quite Vaubanesque.

Close examination of the paintings and referral to contemporary descriptions of the fortifications (Cruickshank) made reference to Serpintines, Hackbuts, Culverins as well as heavier pieces of artillery - a real mix of long and mid range ordnance. Further reading revealed to me that Serpentines and Hackbuts could be housed upon lower levels as well as on the ramparts but heavier pieces tended to be on top to engage heavier besieging artillery at range and to minimise smoke, one can gather further appreciation of this from Henry VIII's surviving fortifications;

 




The beam decoration was an unexpected surprise but I was very pleased that David had done this in keeping with a Continental rather than Tudor influence.





The section is in three parts for ease of storage and for interchanging with future commissions, it is just under 3 feet. Here you can also see my other stipulation that the walls should look like they have seen some action.


In the next post we'll have some doughty French and Landsknecht defenders.

Bye for now

Stuart

The Walls of Therouanne part II

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Part II; the Garrison 

Here's an in-situ photograph of the wall section, lightly defended by a militia watch. 

My efforts over the last two months or so have concentrated upon building an in action set of defenders for one side of the wall; the renaissance artillery tower on the right, 16 figures in all with a medium artillery piece and some added pieces of interest. The figures have been drawn from Perry and Foundry as well as Pro Gloria and a Brother Vinni (I think - the figure in question was given to me).

All were selected to complement each other in a hopefully coherent display of a section of the wall in action. In doing so I have created 3 vignettes which interact with their part of the wall as well as giving a good overall image.

First up, a Franc Archer sergeant rests on the wall to shout obscenities;


This figure was a bit of a kit-bash from the Perry plastics with the addition of some feathers from the Swiss heads, it was a bit fiddly to get the left hand to rest neatly on the wall, but it's turned out reasonably OK. 

Next, perhaps my favourite, some more Franc Archers fire down from a damaged section of wall;


Creating a French army was fairly inevitable, whilst assembling the Tudors I slowly began to build a burgeoning gallery of reference material and it was this feature of a tapestry depicting the 1513 siege of Dijon which really caught my imagination;

 

As soon as I saw it I was determined to try and recreate the crossbowman leaning over the wall to make someones day.


This figure is assembled from the Mercenaries box with a Tudor head which also has some feathers from the Swiss heads added (shortened slightly and cut at an angle). The body is an advancing pose with the legs bent a little more in an effort to achieve a leaning pose. The arms are built up with sculpted green stuff. Finally the figure was painted as a liveried Franc Archer, his feathers confirm his allegiance to Therouanne and the black and white hose to Seur Bournonville.

The remaining figures are also Franc Archers as well as a local militia bowman;



All are based on pennies built up with filler and painted a matt grey, some of these could be blended fairly well with the infantry as skirmishers or to give some more movement to future photographs.

Next up; a master gunner cautiously exposes himself;


The top of the artillery tower is defended by a modern medium artillery piece, cast in bronze with a long range of fire to exchange hate with Henry's heavy guns.

The embrasures are low, the crew have taken extra precaution with the addition of gabions for protection from stray arrows and shot, lansquenets are also in action around them.


Inspiration for this set up, and indeed the design of the wall crenellations were taken from this and similar drawings of Henry VIII's coastal fortifications;


Unlike the militia garrison and the Franc Archers the artillerymen are from Louis XII's army, I have tried to reflect this in their appearance;



Louis XII's red and yellow livery is loosely represented as well as the cross of St. Denis, the master gunner wears a rich base coat with a richly embroidered porcupine, a heraldic device of Louis XII. Here's a closer look and a reference from the illustrated manuscript of the 1507 Genoa campaign;


The artillery piece and gabions. The latter are from Battlefront Miniatures I think, I've added extra pieces of kit, I'm really pleased with the bronze - I ended up spending more than I anticipated on it but it's worth it.


Aerial view of the gun in action;


Lansquenet arquebusiers are busy keeping the heads of the English archers down, firing in support of the gun crew and the French bows, here's a closer look at them as they are pretty chaps;



I just can't get enough of these, I get so much fun from painting them, they're a joy. What's made this even more rewarding is my recent - perhaps overdue discovery of Pinterest, a free online image library where you can 'pin' whatever makes you tick, here's my galleries which have inspired these and many more;


Last but not least is a pair of Lansquenets with a hackbut, a large calibre arquebus;



The firing miniature comes as a set with the gun but I thought it looked better with an injured second crewman.

Here's a final photograph of the whole section in action. I have roughly the same amount of figures to convert and paint for the opposite section of wall. Owing to the aforementioned Pinterest I'm hungry for Landsknechts at the moment so there will be a bit of a break before I press on but I hope you like this second instalment of the defence of Therouanne.


Cheerio for now

Stuart


Ordonnance Archers WIP part 1

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David and Bethsabee, Le rassemlement des chevaliers c.1517-1520
Gendarmes and Archers - note older armour of the archers 

With some long awaited leave I have begun work an equally long awaited project; French Ordonnance Archers. 

Not to be confused with the 'Franc Archer'which, if you're interested an earlier blog post covers this subject; Franc Archers of Picardy

Here I'm considering cavalry,or rather the Archer and Coustillier - the remainder of the combatant French lance after the man at arms.

My period of interest, as you may have guessed is 1513, in this post I hope to summarise my findings on the subject and give you a look at some early work in progress on some figures.


David and Bethsabee, Le rassemlement des chevaliers c.1517-1520
Archers and Coustillier 

To any painter or gamer interested in the Italian Wars this troop type soon proves itself to be a an enigma, so in my usual manner I have tried to gather as much as I can before committing to the brush with any confidence.

Depending on what rules or army list you look at Ordonnance Archers are deemed as medium cavalry, heavy cavalry or an early dragoon, the reasoning being that their armament and use is somewhat difficult to pin, this is due to both their organisation and the period or campaign that you may be interested in. 

They began life as a mounted archer as part of the French lance, as time moves into the early to mid sixteenth century their chief armament changes in line with the arms race and their role on the battlefield, they soon do away with the bow to replace it with a light  / demi-lance, there is no exact point in time that this happened, it was organic.

Equally, their role on the battlefield changed from support cavalry to eventually being part of the 'en haye' line of shock gendarmes, possibly in the first line, possibly in the second, it varies, the fact is they were used as required by topography, generalship, doctrine and availability. 

For a collector and wargamer I'd say representation of these troops comes down to the following considerations;
  • Base with gendarmes or separately
  • arm with bow, lance, crossbow, arquebus or a mixture
  • heavy, medium or light armour

I've researched this subject on and off since my interest in the period began my favoured resource is Renaissance France at War by David Potter from which I will briefly quote;

'Archers remained integral to the formation of the gendarmerie. Companies of men at arms had originally been designed to provide combined forces of cavalry and archers - the proportion of archers to men at arms varied widely - in the early years of the 15th C. 

Bournonville's companies were fairly evenly balanced. From 1498 each lance was to include one man at arms and two archers. With the reorganisation of pay in 1533-4 lances would contain 100 men at arms and 150 archers. At what stage did archers evolve from real bowmen to slightly less heavily armed cavalry men? Balsac's treatise of the 1490's assumes that archers should be just that and deplored that so many 'cannot shoot'. But there are records of companies of archers actually wielding their bows in the Italian wars. In 1515 the King (Louis XII) decreed that the main cities should maintain armourers to manufacture bows for the archers of the ordonnances and that captains should ensure that there would be 'a good number of archers and crossbowmen drawing the bow well from the saddle or on foot.' 

This requirement was repeated (by Francis I) in 1526.The archers have been described as 'second class' or 'medium' cavalry, armed slightly less expensively than the men at arms but sharing the same social prestige of the gendarmerie and crucially lighter and more flexible. Their task was to follow the first wave of attack and in skirmishing, not unlike the chevau-legers.'


Company of Beraud Stuart, seigneur d'Aubigny c.1509?
Gendarmes are depicted left and archers with bows on the right.

Reading this it does make me wonder whether 'Argoulets' (mounted crossbowmen / arquebusiers) were not a troop type but merely missile armed ordonnance archers ?

With this in mind I then considered views from some fellow enthusiasts and friends of this blog as to how to approach these troops in terms of appearance and use;

Jim Hale ( LAF contributor aka arlequin)

Officially the composition of the 'Lance' did not change at all, at least between 1445 and some point in the 1520s that I'm not certain of. Unofficially is a different matter and certainly there was also a change in the 'who', which resulted in the 'Archers' becoming filled with people who could not be Gendarmes, for a variety of reasons. This was far more pronounced in the early 16th Century than it was in the 1470s, when this change was just becoming noticeable and commented upon. By 1513 I suspect there were few 'Archers' who weren't of an equivalent social class to most of the Gendarmes, but were either too young, or couldn't get the kit together to be paid as one.

In a way it wasn't much different with what was going on in the English army of the time. Instead of the earlier mass of generic 'Men at Arms', which covered anyone with a fair to full amount of armour, who didn't carry a bow, a division between 'demi-lances' and 'true' Men at Arms, like the 'Gentlemen Pensioners', became increasingly commented on after 1485. It probably started earlier, but we just don't have the documents to support that before Henry VII.

In the French army the 'Archers' already existed as the most numerous group of the 'not fully armoured mounted men', so what would have been called demi-lancers elsewhere, were called 'Archers' in French service.


Jean Marot, La voyage de Genes (Louis XII's Genoa Campaign 1507), guard archers can be seen dismounted in the middle distance.

What they did is a different matter and quite confusing as you've found out. In battle they were seemingly separated from the Gendarmes and in 1495 still dismounted to use their bows and crossbows to support the attack of the Gendarmes. They also seem to have been increasingly used as 'heavy cavalry' too, as well as performing 'light cavalry' roles in lieu of there actually being any light cavalry. At some point between 1495 and 1520-ish, the bow and crossbow were completely ditched and they all had 'lances' .

I can't give a concrete answer, but if it was me, I would divide a 'company' into a ratio of; one unit of Gendarmes, to two of Archers, each unit being the same strength. What few illustrations survive of that period show the Archers as carrying bows, but as none of them concentrate on the Archers as a subject in their own right, it is difficult to see if their front ranks are lance-armed or not.

However the Coutilier, Coutilleur, Gros Varlets, Valets de Guerre, or whatever they were actually called, still existed, but are the 'invisible men' of the companies. These were armed with light spears or demi-lances and depending on what you believe their role to be, can either back the Gendarmes 1:1, or be divided between the two units of Archers in the same proportions.  

I believe that the 'Coutilier' just became absorbed by the 'Archers', especially as their roles became increasingly similar, or perhaps even that lance-armed Archers steadily replaced them. This pretty much gives you the excuse to field some of your 'Archers' as lance-armed however.

The only other option that springs to mind is that they at some point carried light lance and bow. Bows could be slung when mounted and the lance used, while the lance could be left with the horse-holders if they dismounted. If they were increasingly used as cavalry, the bow would become redundant and eventually just not be carried at all. The French weren't exactly short of other missile troops, so 'lancers' might have been far more useful.

For 1513 though, I honestly don't know. Change is usually a gradual thing, so if we have 1 gendarme, 1 'lancer' and 2 'bowmen' at the end of the 15th Century and 1 gendarme and 3 'lancers' in the 1520s, it is possible that in 1513 it might be a case of 1 gendarme, 1-2 'lancers' and 2-1 'bowmen' being a rough ratio, despite all of the latter being called 'Archers' throughout.
  
Stephane Thion (friend of Army Royal)
The 20th January 1514 ordnance tell us that a company count 8 horses : 4 for the men at arm and 4 for the 2 archers. The 2 more horses will be "garnis de coustilliers" (mounted by coustilliers). Which mean that a company count 3 men paid by the king : one men at arm and 2 archers and up to 5 men (1 page, one valet and op to 3 coustilliers) which are not paid and so, not intended to fight.The page and valet are a young men of 17 or 18 years old, not in age to be a gendarme or archer but who will train with the bow. Here are some articles, in french, of this ordinance :
« toutes les compagnies de ses ordonnances soient fournies, entières et complètes d’hommes d’armes et archers, en tel nombre qu’il leur est ordonné, garnis de coutilliers ainsi qu’il appartient. (…) Ils tiendront huit chevaux pour lance fournie : c’est à savoir hommes d’armes, quatre, et les deux archers, quatre ou tel nombre qu’il leur plaira, à la discrétion toutefois du capitaine ou lieutenant ».
« Dorénavant, lesdits hommes d’armes ne tiendront aucuns valets ou pages s’ils ne sont de l'âge de dix-sept ou dix-huit ans, et au dessus : lesquels ils feront apprendre à tirer de l’arc, pour les mettre és ordonnances, si bon leur semble, quand ils seront en âge compétent pour servir ».

This ordinance order the wear of livery for archer, coustilliers and pages (which also means that it archer uses already to wear livery of their captain but not always), in order to recognise soldiers who robber and llot  :
« Le roy ordonne que les capitaines desdits gens de guerre fassent toujours porter à tous archers, coustilliers et pages de leurs compagnies hoquetons à leur devise, tant à la ville qu’aux champs : et sera la livrée de chacun capitaine envoyée par les sénéchaussées et bailliages, à fin que quand ils feront les maux, que l’on puisse connaître de quelle compagnie chacun sera, pour en faire réparation ».

An other ordinance of the same date tell us than cities have to recruit archers (bowmen) use to archery and shooting with crossbow, from foot or horse :
« tirant bien à l’arc, et des arbalétriers qui soient bons pour tirer soit à cheval ou à pied ».

Now, here are the scarce evidence of archers equipment. As you write : Archers could be armed with crossbow from at least 1465. And there is an example, in 1500, of an archer firing crossbow from horse :
« un archer de la compagnie du seigneur de Saint-Prest, avec une arbalète bandée, pour plus droit assener quelqu’un de ces Allemands, lâcha la rêne de la bride de son cheval, et là, hasarda tant sa vie, sous l’assurance de la conduite de celui-ci, qu’entre ses ennemis soudainement l’emmena, lequel à coups de hallebardes fut sur le champ assommé ».

They can be armed with demi-lance, like an archer of the company of Bayard in 1509 who fight with such an armed against a stradiote.
In these years, the main role of archers is to be "coureurs" (runners). So i think, for such a mission, they will be mainly armed with demi-lances, the others being armed with crossbow. I think archers would be equipped with bow only for sieges. For example, we can see the archers of the king with bow during the siege of Genes in 1507. [see above]
However, in 1509, distances are mainly estimate "à la portée de jet d'arc" (in bow firing range). So some archers will probably be armed with bow when necessary.
BUT at Ravenna, in 1512, archers and guidons are grouped in a single light horse formation wich probably fought with demi-lance (the arm they use is not written in the relations of the battle, so it is a supposition). However, at Ravenne, the archers de la garde (of the guards) fought with their mace and not with demi-lance. Which can be interpreted as being armed with mace and bow rather than demi-Lance....

Finally, on pages, valets and coustilliers : they will usually not fight but there is some examples of coustilliers and valet bringing prisonners (like in this relation of 1499) :
« Tel homme d’arme français y avait, qui cinq ou six Lombards à sa merci qu’ils tenaient prisonniers ; tel archer, quatre ou cinq ; tels coutilliers et valets, deux ou trois ».

I suggest you have one man at arms, 2 archers in livery armed mainly with demi-lance and some with bow. I have chose to add a bow on the back of some demi-lances. And you can add some pages, valet, and coustilliers at will but it is not necessary.
Daniel S ( TMP Renaissance contributor)

The mounted archers were as far as I can tell never mounted crossbowmen, Potter makes an error when he refers to them as such when referring to the 1515 regulations. Having read the original document it is so obvious that I suspect that it is a case of an unintentional editing error while reworking the text or a change made by an editor rather than Potter misunderstanding the original text.

Archers were armed with longbow/warbow and dismounted to fight in battle. (Ravenna 1512 is a good example of this as is Fornovo) They always possessed some ability to fight mounted but were not fit to face heavy infantry or true cavalry on their own.

The change from mounted bowman to lancer is sadly obscured by the gaps in the sources. Don't have my notes next to me but IIRC the first reference to Archers fighting with lance is to be found in the 1530's and it took even longer for the regulations to reflect this change.

My personal theory is that the massive losses at Pavia finally ended the French use of the bow but an alternate possibility is that they were pressed into service as emergency cavalry during the numerous charges against the Swiss during the battle of Marignano 1515.


Personally I would field the archers on foot up to 1515, between 1515 and 1525 dual use but without lance and post-1525 as lancers.

Summary

Only one source and a few opinions but I hope this represents a fairly reasoned view. There's a lot to consider but some interesting similarities, so for 1513 I have decided to opt for;
  • archers based separately from the gendarmes; I like the notion of the gendarmes being the first wave and archers following up, it seems to make sense in terms of ability and lighter armour and equipment for archers to mop up and exploit gaps made after the initial shock.
  • medium to light armour for the archers and light to none for the coustilliers, armour to be older harnesses or of munition quality.
  • arm with a mix of demi-lance, mace, and bow and crossbow, some coats in livery.
I'm tempted to also base a unit of dismounted archers and a horse holder, not sure - how would you represent this in a wargame?

For reference, English mounted archers are just that, the word archer in the primary sources of the 1513 campaign appears interchangeable as mounted or dismounted, it was simply a way to move them around the battlefield quickly, they did not fight on horseback and for good measure, demi-lances are very clearly identified as are heavy cavalry.

Anyway, here are my first efforts;


The figures are from the Perry mounted men at arms set with Foundry (Perry sculpted) head swaps from their Landsknecht range as well as additional plumes taken from the Perry Swiss heads. All heads are drilled and pinned for extra stability. In addition I have also sculpted skirted coats which I'm quite pleased with.

In adopting this approach there is a balance between the older harness and the renaissance dress which distinguishes these from the gendarmes. When I come to the bow armed troops I may also sculpt riding boots.

This unit will take some time as I will base bow armed men with these lance armed figures, the forthcoming Perry light cavalry box will help me here so there will be a delay and more WIP's to come but I hope you have enjoyed my essay on the Ordonnance archer of 1513.

Cheerio for now and Merry Christmas to you and yours.

Stuart

Ordonnance Archers WIP part 2

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Part two in this series has me tackling some guard archers of Louis XII.

The depictions that I have so far been able to find have them in red and yellow livery with a crowned porcupine on their breast and back plates.



As a challenge I have decided to create a dismounted unit, here are the fruits of a fortnight of patient sculpting;



In every depiction I can find they are shown in sallets, with or without a visor and occasionally with plumes on the front so there's plenty of scope for some more variation with the rest of the unit.

The 'dolly' is a Perry plastic foot knight with archer arms added.

To begin the fauld and tassets required some deep filing, then the area from the mid waist to just above the knees was filled with green stuff.

Once this was dry I then sculpted the skirt front and back.

There's some more detail on this process here.

Another drying phase and the arms were done individually. It was quite hard but once you're in the zone so to speak it gets addictive. The best advice I have had is to be very patient, and to get the right shape first then sculpt detail. Other than that it's just practice.

So above is a completed dismounted figure, here are some more reference points;



From a basing / gaming perspective I have considered these to be an early dragoon. They were essentially used as mounted infantry leading up to 1513, or rather they are depicted so for sure in 1507 so I guess further to my last post on the French Ordonnance archer of 1513 I have made another distinction. I will still have some mounted versions of these to mingle in with the other sculpted mounted chaps in the last post.

Anyway, all dragoons / mounted infantry require a horse holder;


I still have one sleeve to sculpt and I might try my hand at a porcupine emblem on the breast plate but it's going well so far.



Cheerio for now

Stuart.

Louis XII Guard Archers Complete

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I am pleased to unveil the first unit of Louis XII guard archers!

You can read about the development of this unit including initial sculpting and contemporary references in the preceding blog post.

Suffice to say in creating this unit I have very much embarked upon a journey of self taught intermediate sculpting. You can really see the development as the figures in this unit were worked upon.

I began with dismounted Perry MAA as dollies and sculpted skirts upon them, this involves first filing and/or cutting away the area from the waist to just above the knee so that an under-layer of green stuff can be added. 

Once this had dried the skirt was then sculpted, front then back with drying in between, thereafter the arms were added and sculpted individually, ensuring the first was dry before work began on the second.

I am very satisfied with how these look though my practice does show an improvement in each successive sculpt;


1. First attempt, each fold in the skirt was defined, it looks like heavy cloth, quite satisfied though the shape feels a little puffed, also I was not fully satisfied with the right arm.


2. Second attempt, arms a bit better and the skirt has some movement, the folds are also a bit more natural. I was really pleased with this and really pushed myself in creating the porcupine and crown; this was done by sculpting the green stuff on my work mat then gluing onto the breast plate when almost dry.


3. Third attempt, I was very satisfied with the skirt, in fact I'd say I nailed it; it appears as it should with nice defined heavy pleats yet still part of a single garment rather than appearing separate. Again, pleased with myself I pushed on and created a war coat / waffenrock (appropriate French word welcomed if you know it). The right sleeve isn't quite there where the sculpting meets the elbow but I'm being picky now.


Rear. The way this garment appears to sit looks natural, the confident not too bobbly pleats were much easier to paint. 


4. As these archers were dismounted the horse required some attention in building up the saddle and adding some stirrups. I got quite a bit of inspiration from the following sixteenth century saddles, note the padding on the rear and for the rider's legs;




The Best advice I have had during this project was from Oliver of Steel fist Miniatures; get the shape right first before adding detail. it's a simple notion but I must admit that I initially paid attention to each fold rather than considering all of the front or back of the skirt as one, as in the last figure. This felt like a breath of fresh air and made this last attempt so much easier, and quicker. Other than that it's just a matter of practice and patience and plenty of reference material for how garments appear in different poses.

I'm very much eager to do many more skirts and waffenrocks in this manner, there's now a whole new area of potential which I feel could be achieved with these almost infinitely versatile Perry plastics.




I will certainly do at least two more bases of these, I have no idea whether Louis' guard archers were in the vicinity of Therouanne during 1513, at best some may have been with de Piennes or perhaps acted as some of the messengers who delivered news from the King to the garrison, who knows - I do like them though.

WIP French missile foot

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I have started work on my next unit for the French army; some mixed missile foot. I was quite pleased with how the last unit of Ordonnance Archers turned out sculpting wise so I decided to continue with the putty pushing to really give this army a proper period feel.

Owing to time required for the green stuff to dry these have been completed in stages during the evenings over the course of a week, very much a background project with painting being done on the weekends.

I have sculpted what the Tudors referred to as a 'base coat', a heavy woolen jacket, this would generally be liveried in some way, the stages were;

1. file and cut away the area for sculpting on the body
2. sculpt rough shape and fill in the area between the legs ready for stage 3 (really important for the shape)
3. sculpt skirt and chest front (the figure on the left is halfway through this)
4. sculpt skirt and back rear
5. assembly and sculpt left arm
6. sculpt right arm

Thorough drying (overnight) is required between stages so that the putty is not obscured whilst sculpting, i learned this the hard way!

Steady progress to be getting on with and hopefully a rewarding one when they're done. I aim to have a fair amount of French infantry in the army but unlike the Tudors Lansquenets will be contributing the majority so I considered it worthwhile to make these figures as best I could for an early 16c feel.

If I'm crazy enough I could start adding similarly attired units to my Tudors, that would certainly keep me busy for many years to come !

Cheerio for now

Stuart


Dogs of War

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Here we have a unit of Imperialist Landsknecht pike to add to the ranks, in fact I now have a pike block of just under 100 figures. I don't think it is possible to ever complete a unit of Landsknechts as I just seem to add to them all the time though I expect future efforts will be depicting those in French service.

Painting wise my methods are relatively unchanged. I don't batch paint Landsknechts as I much prefer to paint them as individuals, I feel it gives the unit a much more varied and colourful look. Though in saying that when putting a base together I will check over the previous figures I have completed so there is an even spread of colour and pattern thus there are some figures with garb of two or three colours and others with more intricate combinations.

One relatively new thing (for me) which has really helped with this is Pinterest, if you've never heard of or used it, give it a go for your own painting projects. I found it really helped keep my enthusiasm going, particularly for those times you can't get to the painting desk. Have a look at my Landsknecht boards and try to ignore the urge to paint;



If you need some more inspiration with your Landsknecht projects, have a look at my Landsknecht Painting Guide.

As these are rather colourful chaps, here are some individual photographs;

 








Finally, some Landsknecht eye candy to leave you with, I really like these close up images, you can almost hear the drums, fifes and war cries!




All the best

Stuart

French missile foot

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Here are the latest additions to my burgeoning French army of 1513; some skirmishing arquebus and crossbow armed infantry.

These have been long in the making as each one has been individually 'pimped' with some green stuff in an effort to extend the Perry plastics into the early 1500's, thus this unit very much represents a further chapter to my ongoing sculpting learning curve.

In the images above the two centre figures were completed last and the rest were sculpted in a batch around the same time. As I'm finding with sculpting it is these latest figures of which I am the most pleased.

Following my earlier attempts with the green stuff in the unit of dismounted Louis XII Guard Archers I received a number of queries as to my approach so I shall attempt to explain step by step;

Step 1; cutting and filing Step 2; building form, side

After selecting your manequin you will need to gently file and cut away the mid section below the belt and define the upper thighs a bit.

In the first bit of sculpting you need to fill in the basic shape of the lower skirt of the base coat being mindful of length and shape. I generally go just above the knee and in this instance I have worked with the gait of the body and sculpted a slight rise in the skirt to the rear, you need to make it absolutely smooth all round, being careful to sculpt around any equipment you wish to remain such as knives, bags and the belt. push the green stuff to just under the belt line.

In this stage you are creating a hard base with which to begin sculpting the form of the base coat, so also remember that you will be adding another layer on to this, you don't need to have this layer too built up otherwise your figure will appear to be wearing a petticoat underneath.

Allow to dry fully. You can file the form a little more once it is dry.

Step 4; form shape and cut away excess Step 6; define pleats

Apply a 1-1.5mm layer of green stuff to the front and smooth / develop the form some more until you are happy with the shape you have created. Drag any excess green stuff to the base of the skirt and remove.

Then define the pleats with your sculpting tool and very slightly ease / define each pleat from the next. Use the side of the tool to square up the bottom of each pleat. I use this tool for almost all sculpting.

Leave to dry.

Step 7; finish pleats and sculpt square neck & jacket chest Step 8; repeat steps 5-7 for the rear

Once the skirt is dry, sculpt the square neck and shoulders of the chest and define the fastening flap. Leave to dry.

Then sculpt the rear of the skirt following the same method as the front. Leave to dry.

It is tempting to sculpt as much as you can, but without drying each stage you can risk obscuring areas you have worked hard upon and potentially having to start again. 

Step 10; arm 1 Step 11; arm and cap

Assemble the figure and sculpt one sleeve, dry, then the next. Look up contemporary images or photographs of re-enactors to work out where the folds may go. Leave to dry.

Sculpt the cloth cap, I used Hans Holbein drawings and Landsknecht woodcuts as a source. Leave to dry. 

Complete.

Each stage was dried overnight, Owing to this I worked on this during the week after work and had a figure ready to paint at the weekend.

You could do these in batches of 2 or 3 as you'll be surprised how little green stuff you need, the more you do the more confident you'll get.

Project 2; 1 doublet and hose front Project 2, part 2, doublet and hose rear

For this figure I wanted to create a doublet and hose as per the reference image below, it's typical of about 1500-1515.

This had less stages than the base coat above; first I filed and cut the waist and upper thighs. I had to be really careful and aware of the form I was hoping to achieve as there was not going to be much green stuff used.

I then began the first stage of sculpting by modelling the codpiece, exposed undershirt, doublet and points. This was then left to dry.

I did the same for the rear and followed the seams in the tights from the legs up to the top, don't make these too deep, just gently score the line with your sculpting tool or scalpel. Look up images of hose, particularly sewing patterns to get a better idea of this. I used the Kings Servants by Caroline Johnson ( Tudor Tailor case study) as a reference. Incidentally this is also very good for patterns and photographs of the base coat above.

Project 2 part 4, right arm and cap    Project 2; doublet and hose

Following this, each arm was sculpted separately and left to dry - I found these quite hard to do, photographs and reference material really helped here to achieve a natural look to the voluminous sleeves.

The cap was then sculpted last and the feathers (from the Swiss heads) were glued on when dry.

So there we are, hopefully that may have helped some of you eager to give it a go yourself.

If you'd like to see these and more detailed photographs of my sculpting efforts as well as some source material of the period have a look at my Pinterest boards.



It is time consuming but worth it I think. I'm looking to add many more missile foot and with results like these it would be hasty to do otherwise for the period feel that I'm attempting to achieve. I just wish I was able to do this when I started my Tudors, though I fear I may well still be working on them if that were the case.


However, I am confident that this army will look suitably different from its foe using predominantly the same figures which is a good result in light of there being no real commercially available alternative (albeit with my Perry bias). Here's the infantry so far, only 36 figures though of that number 32 are converted.

Onwards and upwards, I need more green stuff.

Until next time.

Stuart

Painting Landsknechts Article

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The April issue of Wargames Illustrated (WI 330) is themed around mercenaries and within its pages is a newly commissioned  'painting landsknechts' article by me.

This came about in part as a result of my sister blog, Painting Landsknechts

I had few constraints on article size so I'm quite pleased with the result as I was able to try and fully express my thoughts on the subject. There are also a good number of photographs of my collection as well as individual studies throughout the magazine. It's good to see the period get some attention.

Feedback is always appreciated, let me know what you think.

Bye for now

Stuart.

Agincourt Demo Game at Salute 2015

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The Lance and Longbow Society will be putting on a demo game of Agincourt at the 2015 Salute show this Saturday. My good friend and blogger extraordinaire Simon Chick will be showcasing his collection and I shall also be there lending a hand.

We are located at table GN11 – near the rear of the hall when you enter Excel.

Do come down and have a look, adore some miniatures, see your blogging contemporaries or just say hello.

If you can't make it or simply want to lose several hours you can view Simon's collection and his past projects over on his blog

Hope to see some of you soon.

All the best

Stuart

Tudor Beer

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Occasionally my interests converge; myself and a friend, another Stuart, or rather Stu the brew as he is known meet fairly regularly to brew beer which tends to follow our slightly German palette of wheatbeers, smoked beers (rauchbier) and in the winter lagers, and not forgetting some cider in late summer.

The distinction being that beer is hopped, a while back I thought we'd experiment with a historical recipe for ale, our efforts were worthwhile with a rather pleasing and interesting brew, click here for more; ale no.1

The Tudors generally drank ale, which by definition was unhopped, by virtue of boiling this was a method of purifying water and thus the staple drink for most classes across the country.

Hops, beer and ale has an interesting turn in the early Tudor period as numerous legislative attempts were made to maintain the distinction between unhopped ale, the prime malted cereal drink in England for many centuries and hopped beer introduced by immigrants from the German states and the Low countries.

Various authorities forbade ale brewers from using hops, these in effect were an entirely separate group of men and predominantly women (ale brewing was a woman's role at this time) from the beer brewers who could hop away.

Henry VIII's brewer at Hampton Court was instructed in a document of 1530 to 'put neither hops nor brimstone in the ale pipes (120 gallon casks) so that it my be found good, wholesome and perfect stuff worth the King's money.'

However, Henry did not outlaw hops, in fact, he also had a beer brewer by the name of John Pope to supply the royal household with the hopped drink. He was granted special provision for 12 'persons born out of the kings dominions' most certainly beer brewers from the Low countries - note, the rest of the land could not employ more than 4 foreigners at any one time.

The 1513 campaign was predominantly supplied with many pipes of ale and interestingly by 1544 they were supplied with beer, though these supplies unfortunately ran dry and the soldiers had to go without for 'these last 10 days, which is strange for English men to do with so little grudging' - nothing changes there then !

In 1483 London Ale brewers persuaded the city authorities to pass a law, comparable with the German Rheinheitsgebot that in order for ale to be 'brued in the good and wholesome manner of old tyme used' no one should put in ale 'upon peyne of grevous punysshment' anything other than 'licour (water) malt and yeste'

Why this distinction you may wonder? the hops much increased the abv and the beer was viewed as 'poisonous and unfit for consumption, causing drunkenness' whereas ale was 'a wholesome drink, especially in the summertime'.

By 1520 the same authorities created the guild of 'berebruers' to regulate their craft.

So, the Tudors fiercely defended their beloved ale and we've had a go at that in the earlier post, but what was their early beer like? we thought we'd give it a go.

The recipe we used is dated 1503;

7.8lb 2 row pale malt (a type of barley the description is a reference to how it grows)
1.6lb oat malt
1.61b pale wheat malt
0.25lb smoked malt*
English yeast - quantity not specified
Hops - quantity and type not specified, we used 28g of 4.5%acidity Goldings hops - the low acidity is much less bitter than other hops. Also, Tudor beer was not heavily hopped, 28g is about half to a third of that normally used for modern beers.

These are all modern ingredients which are grown and processed in a different manner to those of Tudor times, in particular malt would have been air or smoke dried which would have given the beer a deep colour as well as affecting the taste thus the smoked malt is a nod to this.

We also used modern methods;

Tudor ale in progress

In addition to the hops we added a small bag of Sage at the last moment of boiling for flavour, we know the Tudors did flavour their beer and ale with herbs, we even found a recipe requiring the carcass of an old hen, we gave that one a miss!

The result, a rather pleasing deep brown beer of 4.4% not dissimilar to Marstons Pedigree in taste though with a slightly sweet and herbal note, this broadly matches descriptions of beer which is good though we'll not know for sure.

This is what was known as a small ale, a 6 week fermentation kept the abv down, if we used the same mash again and brewed it this would then create a much weaker 'childs beer'.

If fermented for a few months a much stronger brew would result, this was known as 'double beer', by Elisabeth's reign street brawling was blamed upon 'double double beer'.

Tudor ale

Salute aside that's what I've been up to. I've also been painting !

Stuart

Work in Progress

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It's been a while since my last post, my progress has slowed considerably over the last couple of months due to a mix of work and family commitments along with a general loss of inclination to go near the workbench, a bit of artist's block unfortunately but I've taken a day to myself to get this blog is back in business.

I'm mid project and it's going to take a while (enormous tasks are a bit off putting - perhaps there's a lesson there); I am putting together a unit of French cavalry but as ever I've wanted to do something a bit different, I'm working on a complete unit or lance, so; Gendarme, Man at Arms, Ordonnance Archer(s) and Coustillier. 

The figures are a mix of Foundry and Perry, I did consider using the Perry plastic horses and the Foundry Gendarmes with sculpted armour as I did with my Tudors below but I do quite like the Foundry Caparisoned horse which comes with their Gendarmes, it's only one pose but it's a very nice one. In order to not make that look like a pony all of the rest had to follow suit and use the other Foundry horses so that was an early decision. Perhaps I may do the next unit of cavalry differently, we'll see.


The Foundry packs adequately cover Gendarmes and MAA though there are no Archers, I've never been able to work out if that was an oversight or simply a timing issue, anyway it precipitated a need to fill the gap and with my recent forays into sculpting I considered myself at a point where I'm able to do it so I'm working on these elements of the lance first as comparatively speaking they will be the hardest to do.

If you're interested in the French Lance of the early 1500's I put together a short essay of my take on it in a previous blog post here.

Inspiration wise I've used a number of sources but ultimately the key image is a Flemish tapestry depicting the tale of David & Bathsheba, it's dated around 1520 and was either commissioned or at least purchased by Henry VIII. You can view it in the Musee de la Renaissance just outside Paris or buy the lavishly illustrated accompanying book, one notable piece is the assemblement des chevaliers;


This features what I believe to be the elements of the lance from Gendarmes to Coustilliers with a mix of contemporary and older armours, it's a fantastic piece which I know I'll return to again and again.

I began with the medium armed men at arms; sculpting skirts and being creative with head-swaps on the Perry MAA bodies, I was keen to depict older armour with contemporary clothing as per the tapestry (and other sources such as the Triumph of Maximilian). I'm not quite finished with these but here's a preview;


You can see a pre-painted photograph of these figures via the link mentioned above. 

Next up are the Ordonnance Archers to which I've applied the same approach using the Perry Light Cavalry torsos as sculpting dollies;



This chap is complete and awaits some comrades who are presently mid-sculpt;


Base coat just about done with hair and cloth cap to do (the head is from the plastic Ansar sprue)


Arms and head from a Foundry Landsknecht with sculpted torso.

Also, as I tend to have a few figures on the go sculpting wise here's an arquebusier awaiting some colour;


That's me up to date, it's been good to get back into the saddle, hopefully more to come soon.

All the best

Stuart


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